Like a virgin
I didn't like Jar-Jar, he seemed put there for the kids more than as a serious though humorous character.
On the one hand, he was. To the other, Lucas doing some necessary showing off. Everybody knows that if he can eliminate actors entirely, he will. This is just another occasion to pause and examine what he's doing. The updated Episode IV footage of Solo talking to Jabba is worth considering here. That footage was filmed with the original and has sat aside until Lucas knew how to make everything he wanted appear in frame. But Jabba is comparatively easy to animate when you look to the amount of detail and motion in Jar-Jar binks. Furthermore, Lucas' typical mishmash languages of the species' wouldn't work because Jar-Jar, in order to pull off the demonstration, had to be a major character. That is, he had to speak and be intelligible in order to be relevant and avoid subtitles.
Eventually, Lucas won't be skinning over actors; he'll just be compiling films from the computer. And
then, he will truly have control over all factors of the picture.
Take the "atmosphere and environmental feel" of the first 3 movies. Would it have been possible for them to make Phantom Menace with this same feel? Impossible? Why? If possible, why didn't Lucas do so, considering how well the formula worked with the first 3 movies?
A number of considerations here.
• The first trilogy was limited. That is, Lucas could
not do everything he wanted to do in the films. Hence we see the updated versions, e.g. the Jabba/Solo scene at Mos Eisley.
• Episode I has more of what Lucas wants. I consider it significant that most of the people I know who criticized the FX as not being riche enough had no clue what they were actually seeing. When the Trade Federation landed its troops on Naboo and lost the field to the ... well, to Jar-Jar's people. Would anyone like to tell me how many
real objects appeared in that scene? This is a little more what it's supposed to look like, according to Lucas' will. If he wanted the films to look dated, he would have done so.
• Likewise, Lucas wanted a different visual motif. One of craftsmanship versus industry. Thus the attractive, sleek spacecraft instead of the modular, quickly-assembled X-wings or the efficiently (?!) designed star destroyers. I can even put it directly for you. Watch
American Graffiti. Look at the cars in that film. Go out onto the street and look there. Compare a 1950 Merc or Buick, or a 30's Dusenberg or Mercedes with the modern incarnations. In that sense, I would point out that a few years ago, Porsche enthusiasts threw a hissy-fit all over the company when both the Boxster and the 911 featured the same headlights. Industrial, interchangeable, practical. Like an X-Wing or a TIE fighter. Heck, compare old hood ornaments to modern insignia. That difference of motif is huge, and plays also toward the psychology of the Star Wars universe as relates to the chronology of the stories.
• I was disappointed when I heard of the casting of Jackson, MacGregor, and Portman. Star Wars should rest entirely on unknowns, or nearly so. But come on ... Samuel L Jackson as a Jedi? When you stopped and thought about it, it was a good call. I remember reading an interview with MacGregor once that settled me on the choice. He said something to the effect of "How can I complain? I'm Obi-Wan Kenobi." Everybody did well. Neeson and Portman, however, could have been done by anyone.
What if the fourth movie made had been the 7th movie in the chronology, instead of the 1st, so that some of these actors / characters would have been in it? How much more enjoyable would it have been than Phantom Menace was, even if it had been made similarly to how P.M. was?
An excellent question. Nearest I can figure is that as Lucas works forward, if he really and truly decides to finish the series (he may not finish at all, and there have existed rumors that after this trilogy, he'll hand the project to someone else, but I don't hold with that) it might be that what he is working toward with his need for the digital working environment is well beyond the scope of the present trilogy.
Some things we get to see, though:
• Yoda with a lightsabre.
• "The Jedi are all but extinct; you, my friend, are all that remains ...." We get to see the moment Moff Tarkin spoke of. And, to judge by the trailer, it looks like Lucas is delivering us a frame from a comic book. I pause that in the playback every time I watch it. Amazing.
• A massive army of troops; has
anyone seen the film adaptation of
Gunga Din, or the sci-fi classic
This Island Earth? I guarantee you that both of those films are known to Lucas. Gunga Din has a great scene, an overhead shot, when Gunga blows the bugle, and the British company falls into a battle line across the floor of a canyon barely in time to meet the coming ambush. I thought of that the first time I saw the troop deployment in Episode I. And there's a deployment of
thousands of Stormtroopers in Episode II. A number of things in the first trilogy point to
This Island Earth:
TIE fighters, and there is a scale in
Island that keeps coming back to me, a large-scale battle scene taking place in a window behind two people who are having a dramatic confrontation. The look of it reminds me of the gray plains of the Death Star in Episode IV, but the action is distant and looks much like Luke and the Emperor watching the fleets engage in Episode VI. I'm absolutely stoked to see the
scale of things. The battle on Naboo was spectacular in its own right, but this promises to make Episode I look like
Gunga Din in comparison. Given what Lucas has done to the sense of scale relative to these obvious influences, I expect the new presentations to be humongous.
• Did I mention that Yoda fights with a lightsabre?
• Something about Yoda and a lightsabre .... (I'm
so effing stoked.)
Or would it have seemed even less enjoyable than P.M. because of how much it would have contrasted with the feel of the first 3 movies even while having the same actors / characters?
Hmm ... well, I'll take it from a different angle. I think we might lose something in the translation if he went that direction.
Who are the central characters in
Star Wars? There are only
two main characters.
Episode I made that clear. In fact, it explained much to me about why those two characters argue the way they do.
The center of this sweeping, romantic, swashbuckling epic, from beginning to end, appears to be two droids.
R2D2 and C3P0 are the actual center of the story. In order to track through a story that goes beyond any one lifetime, and in order to make that story consistently relevant to itself, the only characters you can have for episodes 1-9 are the droids.
Consider how in episodes 4-6, we got a
lot of subtitled translations but we never know exactly what R2 is saying. Did you ever wonder what he was saying to 3P0 in order to piss him off like that? What is the other half of those arguments?
Bongs to the rescue, apparently. We were talking about this a few months ago over much dope and I'm now convinced that 3P0 has had his memory erased several times. How would that factor into, say, Episode IV, and the immediacy of R2's flight from Uncle Owen's? Because
tomorrow the droids would have their memory erased and R2 has been through too much to put up with either his own erasure or rescuing 3P0 yet again. What if R2 keeps referring back to episodes 1-3 and confusing 3P0?
But they are the center of the story, and their characters need to develop now, before they can take part in the final episodes. I can't tell if it was intended from the start, or just brilliant exploitation of a convenient opportunity to nail down part of the structure.
As a final comment: what made the FX in, say,
The Matrix cool was that people hadn't seen such effects before. This is a little like the Star Wars dazzle. But Episode I demonstrated that the power of FX come not in overt presentation or overload, but in the subtleties of the frame. People were disappointed, and some of the FX criticisms pertaining to LOTR gave me insight to this.
I'm not a huge fan of
Fellowship, and even bitched about the lighting in a couple of FX sequences. But most of the people I know and whom I 've read who were disappointed in the FX of LOTR don't seem to realize--even remotely--what they're actually seeing.
But really--how many
real objects did we see in either film? More, to be sure, in LOTR than PM, but that's actually beside the point.
We're about to see a clone war. I would say that the reason we're here instead of there is twofold--backstories for the characters (e.g. the Jedi, the Republic, the Senate, and the whole situation of the rebellion) already, in some cases, existed out of necessity. To the other, it's possible that the end won't make sense without these episodes, and how pissed would you be if Lucas gave us 7-9 and either never got back to 1-3, or waited another 20+ years to tell us what it means, or if he died in age and, say, Roger Christian was called in to do the 1-3? Right now we have a
happily ever after ending for Episode VI. But we have no real beginning to Episode IV, because we join the story in media res, which is a fine way to do it, but when you're looking at this large of a project, it's an awfully rough chunk to just leave sitting there.
Did I mention Yoda? And a lightsabre?
No matter how hard Lucas tries, though, he can't do to me what he did with Episode IV. Really, that's the problem. He popped our cherries with that film, and now we all want to feel like virgins every time he courts us.
two cents and then some,
thanx,
Tiassa
