So, this is still going on?
I would refer to my prior remarks, ca.
December, 2021↗.
Or, here's an excerpt, just because:
"Glitches in the Matrix" is a pop-culture extrapolation of a twentieth-century science-fiction film about being transgender. That is, the Wachovski sisters borrowed an old philosophical bit, called The Cave, and created a commercial monster. If you're hearing about it only more recently, it's because a new episode just arrived, and you're experiencing a market effect. It would be like someone saying they only recently heard of flying saucers, and if we tried to figure out how that works, it turns out they knew of ufos in general, but thought they were all triangular, or something. Post-cinematic parlor philosophy built around The Matrix enterprise was always pretty weak, but I also find myself recalling what a "meme" was supposed to be, once upon a time, compared to its sordid, post-chezburger installation as an international lowest common denominator in a pop-art race to the bottom. Comparatively, it is ironic, but also worth noting in its own context, that the most persistent legacy of the Matrix philosophical implication turns out to be manpilling, the comparative bickering between masculinists who have taken their figurative blue, red, or black pill.
In the past, these "glitches" have been attributed to divinity, extraterrestrials, communications satellites, and even a form of lucid dreaming a person could actively invoke and control. The question of "glitches in the Matrix" is, to the one, nothing more than what Barker reminds, that each age will tell the tale as if of their own making. To the other, though, is a subtlety having to with infliction by an apparently sinister cause; it's kind of like observing that neither Jews nor atheists speak so poorly of God.