So what do you guys think of screaming music? Do you think its talentless crap? Or do you think that it takes a lot of effort and voice control to sing like that?
Screaming is no more talentless than rapping. The question is whether it is music. The definition of music includes melody and harmony. There is none of that in traditional rap (whereas there is in Caribbean dub rap) so rapping is not singing. I haven't listened to your tracks; if they're really just screaming then it's not singing. But if they're just singing really loudly and angrily so that it sounds like screaming but the melody is there--like Robert Plant, Little Richard, and a gazillion other rock stars, then it's singing. But for a person to call it "talentless crap" is simply a way of saying "I don't like it and I don't like the people who do like it." If you ask me there is no performance art in human history less worthy of my attention than tap dancing, yet I admit it takes a lot of talent.
Still, even though shouting and rapping are in some cases not music, the entire performance can be musical if there are elements of melody and harmony to it. "Songs" that are all percussion and spoken or shouted words with no melodic instrumentation are not music. That type of performance was more common in the early days of rap, but it's very rare now. It's never been common in other types of rock or pop music. Even the "talkin' blues" had a guitar and sometimes a whole cowboy band.
Can someone define the music metal??
I think metal is easier to understand if you look at its history. In the 1960s there was a big segment of the music world that was "civilizing" rock and roll. Adding string sections or complete orchestras, going back to acoustic guitars and singing pretty folk songs, tossing in a cello or a harpsichord and making it downright medieval like some of the Beatles' tunes. By the late 60s acid rock came along with its polite Middle Eastern modalities and instrumentation. Then progressive rock with complex themes, lots of keyboards, and time signatures that defied foot-tapping. Finally disco, with its fully homogenized textures and sounds that were often entirely synthesized.
Heavy metal was a reaction to this. It's electric guitar-driven music, which is why it's called "metal." It's loud and angry, which is why it's called "heavy." Even though many originators of the genre like Deep Purple and Iron Butterfly used keyboards, the bands that became its icons like Black Sabbath, Led Zeppelin and Blue Oyster Cult did not, at least not in their early days. They were guitar bands, and often "power trios" with only one guitar, bass and drums. They felt that they were taking rock and roll back to its spiritual roots of simplicity, loudness, anger and rebellion. (Not its actual musical roots, since it was long assumed that either the piano or tenor saxophone would be the genre's defining instrument, as the early rock guitarists were from the western swing scene and played some pretty lame licks until Chuck Berry and Dwayne Eddy knocked them on their butts.)
Metal subsided in the late 1970s, as "corporate rock" bands like Journey and Boston dominated the airwaves with guitar riffs that were loud and complex, but still perfectly manicured and devoid of rebellion. Although a few stalwarts like AC/DC and Van Halen kept the fires burning.
Then there was a revival in the 1980s as a new generation of rock musicians who were much more technically proficient came of age. Metallica and other "speed metal" groups cranked out more notes per second than any rockers before them. Ozzy revived the Black Sabbath sound but with young guitarist Randy Rhoads, who could play circles around Tony Iommi. AC/DC came "Back in Black" with a signature song that merged funk with metal, a fusion that quickly became popular. Bands like Slaughter popped up that had the anger, rebellion and churning guitars that kept the heavy metal scene going in a supercharged manner.
Then Metallica made the black album, and "Enter Sandman" brought metal back to its roots of ponderous power chords, dark themes, and a straight blues modality. The grunge movement of the 1990s was, IMO, an offshoot of that, with their gravelly voices, power chords and slow tempos, and dark lyrics about classroom shootings and the bleakness of the universe.
Rap and metal were a natural hybrid, with Rage Against The Machine the quintessential group. Today bands like Korn play what I call infrared metal, with so much of their sound down in the lower registers where the notes blend into each other.
But all along, for the past couple of decades, there have been offshoots of heavy metal like death metal and goth metal, that try in their own way to get back to the roots of rock and roll.
Anger, rebellion, an unsophisticated approach to music... and loud guitar chords. That's metal.