Everyone knows that young people, teenagers, like music, but what is it about young adulthood that especially attunes teenagers to song? I know that it’s a universal and timeless trait found in most, if not all cultures, the young horn dog with the lute, mandolin, guitar, but besides all that, boys and girls alike absorb song lyrics and have an intense interest in music and bands like they do at no other age. And naturally they go for the current music, and are nostalgic about the music of their youth for the rest of their lives. Why is this?
Music, apparently, is processed in a brain center that is not the same as the speech center. People who work in nursing homes frequently report watching a resident, who can't talk and doesn't know his own children, sit down at the piano in the lounge and play perfect Gershwin,
singing the lyrics.
I once had a friend who had a bad stammer, but he could sing just fine--in both English and French.
Music seems to be programmed into us, so it's not surprising that we would use that programming in our early years to fill our heads and our hearts with song.
The songs of children have incredible durability, transcending the generations and being passed down to new generations, often in a language which--due to war, politics and economics---the new generation doesn't even understand, and therefore sounds to us like "baby talk." I smiled when I discovered that today's "children's music" CDs often include songs by the Beatles. This means that people will be singing songs like "Yellow Submarine" 500 years from now.
Not at all. Just look at our past after the Civil war there was no radio but the young didn't pick up clubs, they went to work and did a honest days work without music. Music wasn't around until the radio for everyone to listen to which was invented around 1900 but even then the young didn't have much to listen to. Music was enjoyed after the second world war, 1944, by most people.
There was no radio for thousands of years, but people had music.
They went to the saloon on Friday night and danced to the pianist. They went to church on Sunday morning and listened to the choir. Working in the fields, on the railroad, even marching in the military, they used the cadence of their efforts to coordinate songs.
"I don't know, but I been told
Eskimo pie is mighty cold.
Sound off one-two
Sound off three-four."
After the Civil War, the newly freed Afro-Americans were looking for ways to earn a living, and--since music apparently occupies a unique place in our psychology--the white people were happy to hire them to play at dances, or to simply toss coins at them for busking on street corners.
The invention of the amazingly versatile steel string guitar in the late 19th century caused a paradigm shift in popular music, and Sears Roebuck was happy to sell one by mail order to anyone who had two dollars. For the first time, a single performer could play very complete accompaniment for the songs he sang, with a wide range of tone and volume, plucking single strings or strumming entire chords. Since a single performer can more easily support himself by informal performances than a duo, much less a whole band, there was an explosion of music in the South. (Yes, it's not impossible to use a gut-string guitar in the same way, but it's much more difficult and even the best "classical" guitarists can't quite get the same range of tone and volume that a 13-year-old can get out of a $50 steel-string guitar.)
Of course one's instrument can't help but shape the style of one's music, and before long the guitar-centric
Delta Blues was born--and musicologists like to say that Sears Roebuck was the midwife at that birth.
In the Electronic Era, it's easy to forget how people lived in earlier times. But they did, indeed, have music.
The oldest musical instrument that archeologists and anthropologists have found is a flute made from the tusk of a woolly mammoth. It was carved in Europe around 30,000 years ago in the Paleolithic Era (nomadic hunter-gatherers with no agricultural technology) and the holes are in the precise locations for the
pentatonic scale. (The black keys on a piano comprise a pentatonic scale in the key of Db.)