The decline of criticism might explain the sense that our culture is stagnating
https://asteriskmag.com/issues/12-books/is-the-internet-making-culture-worse
EXCERPT: It’s obvious that artistic movements need artists. My claim is that they also need critics. Critics help name, describe, and contextualize movements. They historicize artists — to reveal what is novel and innovative — and make a persuasive case for what work will be important in the future. Critics, in short, tell the story of how art and culture have changed over time, and how it’s changing now. And without a compelling story, culture stagnates and wanes... (MORE - details)
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Experimental psychologist Charles Spence on how our senses shape how we eat
https://nautil.us/this-meal-might-bring-you-to-tears-1255467/
INTRO (excerpt): Charles Spence’s newest line of research connects biophilia to flavor: How glimpses of green, a whiff of cedar, or the call of a seagull can change what we choose to eat and how we think it tastes. Many high-end restaurants have begun experimenting with building the eating experience around nature-related sensory elements, such as sounds and smells and tactile pieces, sometimes to dramatic effect. We caught up with Spence shortly after his trip to a cloud forest outside of Bogotá, Colombia... (MORE - the interview)
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The plotless narrative as a tool for meaning-making
https://lareviewofbooks.org/article/when-story-loses-the-plot/
EXCERPTS: A decade ago, the term “storytelling” was everywhere. [...] Then, almost without notice, the boom died down. Or, at least, the word faded as our collective fascination with storytelling moved on to other modes of organizing experience. And this shift matters, because the structures replacing the traditional story form today tell us as much about what we find meaningful as the form we’re leaving behind did. Stories have lost the plot, and other structures—characters, mood, identity labels, and games—are becoming the default frames for making meaning. The proliferation of stories suggested that everything—identity, politics, history, branding—was about telling a story. But what, exactly, is a story? (MORE - details)
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https://asteriskmag.com/issues/12-books/is-the-internet-making-culture-worse
EXCERPT: It’s obvious that artistic movements need artists. My claim is that they also need critics. Critics help name, describe, and contextualize movements. They historicize artists — to reveal what is novel and innovative — and make a persuasive case for what work will be important in the future. Critics, in short, tell the story of how art and culture have changed over time, and how it’s changing now. And without a compelling story, culture stagnates and wanes... (MORE - details)
- - - - - - - - - - - - - - - -
Experimental psychologist Charles Spence on how our senses shape how we eat
https://nautil.us/this-meal-might-bring-you-to-tears-1255467/
INTRO (excerpt): Charles Spence’s newest line of research connects biophilia to flavor: How glimpses of green, a whiff of cedar, or the call of a seagull can change what we choose to eat and how we think it tastes. Many high-end restaurants have begun experimenting with building the eating experience around nature-related sensory elements, such as sounds and smells and tactile pieces, sometimes to dramatic effect. We caught up with Spence shortly after his trip to a cloud forest outside of Bogotá, Colombia... (MORE - the interview)
- - - - - - - - - - - - - - - -
The plotless narrative as a tool for meaning-making
https://lareviewofbooks.org/article/when-story-loses-the-plot/
EXCERPTS: A decade ago, the term “storytelling” was everywhere. [...] Then, almost without notice, the boom died down. Or, at least, the word faded as our collective fascination with storytelling moved on to other modes of organizing experience. And this shift matters, because the structures replacing the traditional story form today tell us as much about what we find meaningful as the form we’re leaving behind did. Stories have lost the plot, and other structures—characters, mood, identity labels, and games—are becoming the default frames for making meaning. The proliferation of stories suggested that everything—identity, politics, history, branding—was about telling a story. But what, exactly, is a story? (MORE - details)
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