What do you think of the Shroud of Turin? The real thing or a big hoax? Here is a picture:
http://www.shroud.com/
http://www.shroud.com/
Originally posted by Dr Lou Natic
It was made by an extremely talented artist.
Actually the three dimensional aspect is automatic when doing a bas-releif rubbing. A technique that was not uncommon at the time.Originally posted by Joshua's Generation
SO talented he 'encoded' 3-dimensional data in the cloth, as well..
Originally posted by Joshua's Generation
Yes...
SO talented he 'encoded' 3-dimensional data in the cloth, as well..
(/sarcasm)
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lol - I love those stories in some of the UK newspapers where "images of Jesus have been found in a lemon" or "an image of the Virgin Mary has been found in a shadow between an old ladder and a fence".
What is this??'encoded' 3-dimensional data in the cloth
HahahaWhy is he wearing a watch (left wrist)??
Originally posted by Charles Fleming
'encoded' 3-dimensional data in the cloth
What is this?? [/B]
- http://www.csicop.org/articles/shroud/index2.htmlThe second odd property of the Shroud is the three-dimensional information allegedly embedded in its image.22 There is indeed some three-dimensional information contained in the image, but it is very crude, requiring much fudging and a number of blatant, scientifically-impermissible "corrections" to produce anything resembling a human face and body.23 Today, however, computer-generated 3-D images and videos, and three-dimensional models of the Man on the Shroud's body and face, are widely available; both have been used to illustrate depictions of the Shroud's formation in non-skeptical, pro-authenticity television programs. The outrageous statements, then and now, that such 3-D information is the result of a paranormal or miraculous burst of radiation or flow of vapors from the body--and was capable of "regenerating faith in a skeptical age"--are so contrary to scientific knowledge and common sense that their origin can only be ascribed to a religiously-inspired zealotry that separates a person from his or her analytical abilities.
Both the apparent "photographic negative" and crude "embedded 3-D information" properties of the Shroud of Turin can easily be explained by simply understanding how the artist created it. Although a direct painting on linen using red ochre pigment in a tempera binder17 cannot be absolutely ruled out as an hypothesis for the Shroud's creation, it is much more likely that the Shroud was constructed using a rubbing technique on a bas-relief model.18 Joe Nickell was the first person to suggest this method of producing the Shroud. He observed that contact imprints from bodies are invariably grossly distorted, and hypotheses involving a vapor or radiation would cause the image to penetrate the cloth, unlike the superficial Shroud image that is observed. After experimenting with various techniques, the Shroud artist prepared a suitable mixture of pigments and tempera binder, molded a wet linen sheet over the bas-relief he had constructed, and used a dauber (also termed a pounce or tamper) to apply the mixture to the surface of the linen.
The bas-relief rubbing method automatically produces not only an apparent negative image (that is, one without true photographic quality), but also an image with crude three-dimensional properties. Unlike a photographic negative, in which light and dark are reversed, a bas-relief rubbing produces a negative in which topographically high areas become dark and low areas become light. This is because the topographically higher areas receive more of the pigment and lower areas receive less. This is precisely what we observe on the Shroud: the nose, mustache, beard, hair, brow ridge, and cheek bones on the bas-relief were raised relative to the sunken eyes, the space between the hair and face, and the area below the nose and mustache, so the former areas are darker on the Shroud image and the latter areas lighter. A genuine photographic negative of the Shroud's faux-photographic negative image--that is, a faux-positive--looks appealingly natural and life-like, if one ignores the white blood and hair. Furthermore, as the pigment is applied, there is a gradation of pigment and binder density from topographically higher to lower areas, producing the tonal variation that creates a crude three-dimensional quality.
Remember the so-called "face" on Mars?
It seems to have been deliberately made to represent the death shroud of Jesus. Whether it was initially created to fool people or be an artistic representation it seems that it was deliberately displayed for this purpose as it was initially discredited in the 14th century: " Unlike many shrouds of Jesus known from the Middle Ages, the Shroud of Turin was pronounced by a contemporary fourteenth-century Catholic bishop in France to be a fake, since his predecessor as Bishop of Troyes, "after diligent inquiry and examination, discovered the fraud and how the said cloth had been cunningly painted, the truth being attested by the artist who had painted it, to wit, that it was a work of human skill and not miraculously wrought or bestowed."" - http://www.freeinquiry.com/skeptic/shroud/as/schafersman.htmlOriginally posted by Qaz
I believe it may be a hoax, but more likely it is just a piece of cloth with a primative imaging technique created for the fun of it.
Quite wrong:Originally posted by SnakeLord
What's that supposed to mean? Using the term 'remember' is as if to imply it's an old solved mystery. It isn't. The only problem concerning the face is the fact we can't see the other side due to shadow. NASA refused to land anywhere near Cydonia for their own reasons and as such the whole 'face' issue remains unanswered. Currently there's nothing to suggest it's natural. Ok there's not a lot to suggest it isn't natural aside from mathematical variants but unless NASA decide to land in Cydonia we'll never know.
Quite wrong:
New: that only looked like it wasn't a face from a particular vantage due to shadows formed at a particular time of day.
~Raithere